BagusA COPY OF MY MIND REVIEWSeperti yang terlihat di trailer dan poster, film ini memiliki tema yang cukup berat. Bagi kalian yang suka film sebagai hiburan, ini bukanlah pilihan yang tepat. Namun kalo kalian butuh film untuk bahan renungan, mungkin bisa menjadi bahan yang mimin tonton, sepertinya ini adalah karya terbaik Joko Anwar. Dari segi cerita, alur, twist maupun ending. Berhubung film ini hanya bisa dinikmati secara utuh, agak sulit untuk memberikan review tanpa spoiler. Mudah-mudahan review ini bisa menjadi jalan tengah, sehingga kalian masih bisa menonton filmnya tanpa spoiler yang adalah pegawai salon biasa, yang merupakan pecinta berat film. Karena keterbatasan ekonomi, dia hanya mampu membeli DVD bajakan. Berhubung bahasa inggrisnya buruk, dia mengandalkan subtitle untuk mengikuti alur film. Suatu ketika, dia bertemu dengan Alex, sang penulis subtitle. Alex juga tidak jago bahasa inggris, dia mengandalkan internet untuk penulisannya. Hubungan mereka kemudian menjadi intim. Sampai sini, alur film cukup datar dan lambat. Film mulai berubah, ketika Sari yang berniat “meminjam” DVD yang ternyata berisi dokumen film ini, Joko banyak menampilkan kontradiktif. Seperti diawal film, kehidupan Sari yang tenang dan damai di Salon murahan dan tanpa pacar. Saat bekerja di salon mewah dan punya pacar, hidupnya justru tak tenang. Disisi lain, setelah bersama Sari, Alex tak lagi gemar berjudi. Kontradiksi lainnya, Sari yang hidup dari bekerja keras dan halal, hanya mampu memberikan ibu kos makan mie instan. Sedangkan Alex yang melanggar hukum, lebih makmur dengan membelikan makanan warteg. Perbandingan lainnya, dengan pelaku kriminal yang lebih besar, ditahanan justru kehidupannya lebih mewah dibanding mereka akhirnya, kriminal yang dianggap kecil oleh Sari, harus ditanggungnya seumur hidup. Dan kebahagiaan yang pernah dia rasakan, hanya dapat disimpannya didalam ini sudah bisa di tonton di NetflixRating 8 dari 10fyp acopyofmymind jokoanwar net flix filmi ndonesia 83 Likes, TikTok video from Review Bagus "A COPY OF MY MIND REVIEWSeperti yang terlihat di trailer dan poster, film ini memiliki tema yang cukup berat. Bagi kalian yang suka film sebagai hiburan, ini bukanlah pilihan yang tepat. Namun kalo kalian butuh film untuk bahan renungan, mungkin bisa menjadi bahan yang mimin tonton, sepertinya ini adalah karya terbaik Joko Anwar. Dari segi cerita, alur, twist maupun ending. Berhubung film ini hanya bisa dinikmati secara utuh, agak sulit untuk memberikan review tanpa spoiler. Mudah-mudahan review ini bisa menjadi jalan tengah, sehingga kalian masih bisa menonton filmnya tanpa spoiler yang adalah pegawai salon biasa, yang merupakan pecinta berat film. Karena keterbatasan ekonomi, dia hanya mampu membeli DVD bajakan. Berhubung bahasa inggrisnya buruk, dia mengandalkan subtitle untuk mengikuti alur film. Suatu ketika, dia bertemu dengan Alex, sang penulis subtitle. Alex juga tidak jago bahasa inggris, dia mengandalkan internet untuk penulisannya. Hubungan mereka kemudian menjadi intim. Sampai sini, alur film cukup datar dan lambat. Film mulai berubah, ketika Sari yang berniat “meminjam” DVD yang ternyata berisi dokumen film ini, Joko banyak menampilkan kontradiktif. Seperti diawal film, kehidupan Sari yang tenang dan damai di Salon murahan dan tanpa pacar. Saat bekerja di salon mewah dan punya pacar, hidupnya justru tak tenang. Disisi lain, setelah bersama Sari, Alex tak lagi gemar berjudi. Kontradiksi lainnya, Sari yang hidup dari bekerja keras dan halal, hanya mampu memberikan ibu kos makan mie instan. Sedangkan Alex yang melanggar hukum, lebih makmur dengan membelikan makanan warteg. Perbandingan lainnya, dengan pelaku kriminal yang lebih besar, ditahanan justru kehidupannya lebih mewah dibanding mereka akhirnya, kriminal yang dianggap kecil oleh Sari, harus ditanggungnya seumur hidup. Dan kebahagiaan yang pernah dia rasakan, hanya dapat disimpannya didalam ini sudah bisa di tonton di NetflixRating 8 dari 10fyp acopyofmymind jokoanwar netflix filmindonesia". Glimpse Of Us X Pluto Projector - Raizeli.

It is the first day at a new school for teenaged Mia Luna Wedler. At lunch break, a girl shyly tries to make friends. But the pouty, pretty Mia, who is just days away from her first period and is perhaps taking this new start as an opportunity to better her social standing, has her eyes on a different clique. Wild-child Gianna Zoë Pastelle Holthuizen, all silky waist-length hair and bare midriff, is the sexually precocious center of a trio of girls orbited by an undifferentiated constellation of good-looking but oafish boys that will soon become a quartet with Mia’s inclusion. The setup for actor-turned-writer/director Lisa Brühlmann’s debut feature is beautifully drawn and remarkably well-performed especially by Wedler and Holthuizen, but it’s hardly anything we haven’t seen in a hundred coming-of-age tales before. But then suddenly there’s Mia standing over her living room tank of tropical fish, scooping them alive and wriggling into her mouth, chewing and swallowing, her eyes glassy and manic. At first, the incipient symptoms of Mia’s — how to put it — disorder, are cleverly paralleled with those of the more humdrum psychological issues that can plague teenage girls on the cusp of maturity. She gulps down a glass of salt water a trick bulimia sufferers use to induce vomiting; she lashes out at her mother Regula Grauwiller with a physical force that she doesn’t seem to know she has; she develops a sudden awareness of a physical abnormality that her doctor insists she must have had since birth, and cuts away at herself in a way that explicitly evokes self-harm. And all of this exists amid a haze of MDMA, benzedrine, pot, and alcohol that becomes headily entwined with parental rebellion, sexual competitiveness, and perhaps, it is hinted, physical attraction between the girls, as they party and shoplift and dare each other on to ever more dangerous behavior. Up to a point, the central analogy works rather brilliantly. The menacing yet dreamlike tone grounds the film’s dark-fairytale transformation, flattered by DP Gabriel Lobos’ elegant, sinuous camerawork and blue-gray aqueous palette that somehow retains an element of underwater grace even when lit in the druggy hot-pink tones of a late-night party turned shockingly predatory; the low-key electro-burble of Thomas Kuratli’s sparingly used score; and Patrick Storck and Gina Keller’s pristine sound design, which features the dripping and rushing of water as an ever-present mnemonic. As the conductor of this particular symphony, Brühlmann shows a thematic control unusual for a neophyte, making the film’s gradual descent into all-out body horror immersively discomfiting. As Mia’s condition worsens, and she struggles to conceal it from Gianna and the others, “Blue My Mind” even recalls Julia Ducournau’s recent femme-centric horror touchpoint “Raw,” only without that film’s macabre sense of humor. Instead, this is a sincere yet nightmarish bedtime story that may have trace DNA from a famous Hans Christian Andersen folktale, but in its admirable commitment to the grotesque feels more like a modern-day Brothers Grimm fable. But at some point the allegory slithers out of Brühlmann’s grasp, and grows too large for its tank. Rather like its misleadingly punny title, “Blue My Mind” wants to work on multiple levels, but falters to become a slightly unconvincing, if well-made, single-entendre. Mia’s problems become less relatable as they become more real, her fears of her own “freakishness” become paradoxically less interesting the more they’re revealed to be based in physical fact. And so the story’s allegorical power is lessened as it plays out alongside the very things — like sexual confusion and body dysmorphia — that it’s supposed to be an allegory for. Our heroine is contending with all the usual pressures of girlhood and has the bruised legs, syndactyly, and shedding skin of her pesky metaphor to deal with, too. The demons of adolescence that so much of the imagery evokes are powerful and dangerous because they are imaginary. Anorexia, negative body image, self-harm, and the joyless promiscuity and sexual degradation that Mia pursues are the kinds of heartbreaking punishments that young girls inflict on their bodies for differing, in ways that often only they perceive, from some notional ideal of womanly perfection. Everybody feels like a freak at this age and it doesn’t seem an especially helpful conclusion to have the story confirm that freakishness, and to suggest that the solution for Mia is self-imposed exile from the people who, however distractedly, love her. Having created a striking and potent allegory in “Blue My Mind,” and explored it with grace, seriousness, and exceptional craft, Brühlmann doesn’t seem to know quite what to do with it by the end, except to suggest that the cost of self-acceptance is vast, eternal, oceanic loneliness.

TRAILER 142 Play all videos What to know A coming-of-age drama with unexpected twists, Blue My Mind transcends some clunky moments with fully realized characters brought to life by strong performances. Read critic reviews Kundo Age of the Rampant Hara-Kiri Death of a Samurai Iceberg Slim Portrait of a Pimp Rent/buy Rent/buy Rent/buy Blue My Mind videos Blue My Mind Trailer 1 TRAILER 142 Blue My Mind Photos Movie Info Mia, 15, is facing an overwhelming transformation. Her body is changing radically, and despite desperate attempts to halt the process, she is soon forced to accept that nature is far more powerful than her. Genre Drama, Fantasy Original Language German Director Lisa BrÃ¼hlmann Producer Stefan JÃ¤ger, Katrin Renz Writer Lisa BrÃ¼hlmann Release Date Theaters Nov 13, 2018 limited Release Date Streaming Nov 13, 2018 Runtime 1h 37m Distributor Uncork'd Entertainment Production Co tellfilm Aspect Ratio Scope Cast & Crew Critic Reviews for Blue My Mind Audience Reviews for Blue My Mind Nov 18, 2018 I cannot overstate how much I simply hate this movie's title, Blue My Mind. It bothers me so much. I have an antipathy toward puns as humor in general, but to name your movie a pun is a startlingly bad decision. Who let this happen? Who let a horror movie, without any sense of humor, have a pun-laden title? Whoever did this should be fired, and if it's writer/director Lisa Bruhlmann, then she should have her final grade revoked the finished film served as her thesis work for her film school. Blue My Mind is another in the burgeoning sub-genre of pubescent transformative features. The Canadians struck rich gory glory with the Ginger Snaps series where young women turned into werewolves. This Swiss movie replaces the werewolf story with a mermaid, which brings to mind an unsettling re-creation of Splash as bizarre body horror. It's too bad that Blue My Mind feels like the first draft of its freaky concept and proves ultimately unsatisfying. Mia Luna Wedler is 15 years old, the new girl at a new school, and anxious to fit in with the cool kids, chiefly the mean queen Gianna Zoe Pastelle Holthuizen. Mia is also undergoing some very radical changes. She's craving salt water, eating the fish out of her parent's fish tank, and noticing that her toes are starting to merge together with webbing. She's confused and angry and desperate to hide her secret from her friends and family. In a movie built upon the concept of girl-turns-into-mermaid, you would think there would be a lot of creepy and fascinating body horror episodes. It would be the primary conflict and primary secret. For far too long with Blue My Mind, the mermaid transformation is kept as an afterthought to a docu-drama approach to rebellious adolescence more akin to a Thirteen than David Cronenberg. Horror has long been parlayed as a metaphor for the strange and confusing time of puberty, having one's body morph and change against your will, feeling like an outsider, a freak. The coming-of-age model also works as a vehicle for some unconventional urges, as demonstrated as recently as last year in the visceral French horror film Raw, about a young woman finding her sense of self awaken with cannibalistic desires. Both Raw and Blue My Mind the title still makes me hurt on the inside function as sexual awakenings linked to monstrous appetites, both literal and figurative, that the women don't know how to control or if they should even attempt to. The genre dabbing is what separates both movies from their ilk. This is what makes Blue My Mind all the more frustrating because the mermaid aspects are poorly integrated until the final 20 minutes, and even then it's sadly too late. It's like the filmmakers decided that their one unique element wasn't so special after all. The majority of this movie is Mia acting out to try and fit in with her new pals. They smoke, they skip school, they shoplift; they're your classic bad influences that a typical bourgeois family would disapprove. Mia's parents don't understand why she's acting out and what has happened to their little girl. There's some tension over whether Mia is their biological child considering what she's undergoing. This curiosity pushes Mia to investigate her family's history but it too is left incomplete, another dangling interesting idea unattended. A solid hour of this movie is simply Mia sneaking behind her parents back, experimenting with her new friends, and testing her boundaries. It's effective, though there are moments that hint at something more that's never developed, like her sexual predilections that take on an extreme variety. There's a scene where the girls trade choking each other out for an oxygen-deprived euphoric high. If I was being generous, I'd say it was connected to Mia learning to enjoy not breathing through her lungs and setting up a transformation for gills. But I'm not that generous. It comes across as a dangerous kink that tempts Mia but then is forgotten. Much of this hour hinges on the audience caring about the relationship forming between Mia and Gianna, and I couldn't because I think the film was too indecisive on what Gianna represented. She's not a terribly complex character but what does she mean to Mia? Is she a genuine friend, a figure of sexual desire, a cautionary tale, a rival? Blue My Mind seems to emphasize a sexual awakening for Mia and attaches Gianna as the recipient of those confused feelings. If these two were meant to serve as the key for audience empathy, we needed more scenes with them developing as characters rather than repeating rote rebellious teen hijinks. When Bruhlmann does focus on the mermaid transformation, the film is inherently fascinating and consequently aggravating, as you imagine what a better version of this premise could have afforded. There is some wonderful makeup prosthetics to reveal Mia's skin peeling from her legs, leaving behind shiny black gamines that reminded me of Under the Skin. When the boys catch a glimpse of her hidden physical afflictions, they assume she has some STD and slut shame her. She takes scissors and personally slices the membranes fusing her toes together, and I had to cover my eyes it was so squirm inducing. The final transformation is a bit underwhelming until you remember that this was a student film that managed to get an international release. The technical specs are very professional, especially the sun-dappled cinematography by Gabriel Lobos. Bruhlmann captures the internal feelings of her characters very well in a visual medium, relying upon Wedler to do a lot of heavy lifting that the screenplay refuses to perform. You feel her revulsion with herself and yearning for connectivity, something universal for every teenager struggling to claim their sense of self in an indifferent world. Fortunately Wedler is an impressive young actress that might break your heart, if only her character was allowed to open up to the audience better. It's a movie that toys with ideas, moods, and purpose. Blue My Mind is a story about a young girl turning into a mermaid against her will and the movie decides that this is a secondary story element. The implementation of metaphor in horror is a common storytelling device to communicate the horrors of the everyday. Throw in the coming-of-age self-discovery angle, as well as a sexual awakening, and it's tailor-made for some strange transformations that excite and terrify the protagonist. It's just that Blue My Mind takes its metaphor a little too absentmindedly. By putting the mermaid body horror in the background rather than the driving force, the film mistakes our interest and pushes forward a group of characters not ready to handle that level of scrutiny. I feel like Blue My Mind wastes the potential of its premise and the acumen of its actors. This movie could have been better and instead it settles for the familiar even amidst the weird and fantastic. Blue My Mind isn't as bad as its painful title but it certainly won't blue you away. Nate's Grade C+

If you think you’ve seen everything the coming-of-age narrative style has to offer, you haven’t seen director Lisa Bruhlmann’s fantastical, surreal debut film, Blue My Mind, which premiered at IFC’s What the Fest!? tonight. The story follows Mia Luna Wedler, a 15-year-old late-bloomer who is trying to make an impression on the cool girls at her new school. After a few fruitless attempts, Mia finally catches the attention of Gianna Zoë Pastelle Holthuizen, the leader of the clique and a lawless party girl with whom Mia is completely fascinated. As she earns her way into Gianna’s good graces, Mia must also come to terms with experiencing puberty and its effects on her rapidly transforming body. With these changes come new urges, desires, and disturbing, unsavory habits. Mia is coming into her own, despite her many efforts to thwart the terrifying process. Although Blue My Mind doesn’t completely reinvent the wheel, the story can only be described as unique. A mix of Ducournau’s Raw sans cannibalism with a healthy dose of Hardwicke’s ever-controversial Thirteen, Bruhlmann manages to weave a harrowing, compelling tale of self-discovery, friendship, and trying desperately to appear average despite glaring, bizarre differences. Relatedly, Mia experiences several rites-of-passage we’ve seen in countless films before, yet Blue My Mind feels as unpredictable as if this were the first story of its kind. While Blue My Mind is a drama at its core, the film introduces enough body horror elements to keep genre fans satisfied. Beyond that, the terror is not found in the film’s imagery. Instead, it stems from the anxiety the audience shares with Mia as she discovers her body may be taking on unexpected qualities, as well as finding herself in increasingly dangerous situations. We are taken on a gripping ride of teenage alcoholism, drug abuse, risky sex, and excessive partying, and through it all we grow to care for Mia more than she cares for herself. Not to be overlooked is Luna Wedler as the extraordinary Mia. Wedler succeeds in maintaining a key balance between vulnerability and fearlessness. There are moments when we can see the scared girl behind Mia’s cool facade, and moments, too, where we see the headstrong child beneath the mature exterior. Mia is just trying to live life on her own terms, in spite of nature’s plans for her, and Wedler gets this point across admirably. This role could have been laughable and over-the-top if left to the devices of a less savvy actress, but Wedler takes on Mia’s challenges with no signs of reservations, delivering on all counts. Not only is she believable, but she is engaging and mysterious, keeping viewers tucked snugly in her pocket throughout the film. Rich cinematography although a bit too on-the-nose with the use of the color blue comes together with excellent special effects and makeup to bring us this inspired piece of filmmaking. Visually, Blue My Mind is equal parts beautiful and wonderfully repulsive. Even in scenes where not much is happening, such as a moment when the two girls are passed out on a train platform, the shots are composed with style, care, and attention to detail. The eyes of those who see this film will, undoubtedly, be wandering around the screen, taking in the artistry of each frame. Blue My Mind is a prime example of a film which transcends genre and succeeds no matter which avenue it explores. Mia’s story is strange, fascinating, and, at times, brutal. Those open to an outlandish twist on a body horror-lite film will be captivated by this stunning debut. The film is premiering at IFC’s What The Fest!? on March 31, 2018 Warning Trailer contains a major plot spoiler.

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Рудрጃ ущε ዕ	Мኦ алօм
Очፍкев βօኤኧли иснቢσи	Եձуճ εቾиվуρፏ
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Կዧኼ ծоኜαруσоሆи	Опи слоգጳщաፒ ኖи

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